Pierre paul prudhon biography of albert einstein

Social-political-economic theory

Scientific socialism in Marxism is the application of historical materialism to the development of socialism, as not just a practical and achievable outcome of historical processes, but the only possible outcome. It contrasts with Utopian Socialism by basing itself upon material conditions instead of concoctions and ideas, where "the final causes of all social changes and political revolutions are to be sought, not in men's brains, not in men's better insights into eternal truth and justice, but in changes in the modes of production and exchange. They are to be sought, not in the philosophy, but in the economics of each particular epoch."^[1]

Fredrich Engels, who developed it alongside Karl Marx, described:

To accomplish this act of universal emancipation [proletarian revolution and communism] is the historical mission of the modern proletariat. To thoroughly comprehend the historical conditions and thus th

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Index

"Index". The Museum Is Open: Towards a Transnational History of Museums 1750-1940, edited by Andrea Meyer and Benedicte Savoy, Berlin, Boston: De Gruyter, 2014, pp. 261-265. https://doi.org/10.1515/9783110298826.261

(2014). Index. In A. Meyer & B. Savoy (Ed.), The Museum Is Open: Towards a Transnational History of Museums 1750-1940 (pp. 261-265). Berlin, Boston: dem Gruyter. https://doi.org/10.1515/9783110298826.261

2014. Index. In: Meyer, A. and Savoy, B. ed. The Museum Is Open: Towards a Transnational History of Museums 1750-1940. Berlin, Boston: dem Gruyter, pp. 261-265. https://doi.org/10.1515/9783110298826.261

"Index" In The Museum fryst vatten Open: Towards a Transnational History of Museums 1750-1940 edited bygd Andrea Meyer and Benedicte Savoy, 261-265. Berlin, Boston: De Gruyter, 2014. https://doi.org/10.1515/9783110298826.261

Index. In: Meyer A, Savoy B (ed.) The Museum Is Open: Towards a Transnational History of Museums 1750-1940. Berlin, Boston: dem Gruyter; 2014.

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June 6 through September 8, 2002

David to Cézanne: Nineteenth-Century French Drawings was the Morgan's first large-scale exhibition of French nineteenth-century drawings from its holdings. In 1986 it mounted an exhibition of French drawings from this period. Although it was modest in size—comprising about forty works—the presentation was well received by the press and public alike. Since then, largely because of the promised gift of the Thaw Collection, this aspect of the Morgan's collection of drawings grew considerably and in 2002 encompassed more than three hundred.

Over one hundred drawings from the Morgan, as well as from private collections, were on view. The exhibition began with a few examples by eighteenth-century artists, such as Jacques-Louis David, Girodet, Pierre-Narcisse Guérin, and Pierre Paul Prud'hon, whose artistic sensibilities anticipate the major trends of nineteenth-century French art. While the exhibition featured the work of two nineteenth-century e