Artista rembrandt van rijn biography

(1606-1669)

Who Was Rembrandt?

Rembrandt was a 17th-century painter and etcher whose work came to dominate what has since been named the Dutch Golden Age. One of the most revered artists of all time, Rembrandt's greatest creative triumphs are seen in his portraits of his contemporaries, illustrations of biblical scenes and self-portraits as well as his innovative etchings and use of shadow and light.

Early Life

Born in Leiden, Netherlands, in 1606, Rembrandt Harmenszoon van Rijn attended elementary school from 1612 to 1616, and then attended the Latin School in Leiden, where he partook in biblical studies and lessons on the classics. It is unclear whether Rembrandt completed his studies at the Latin School, but one account claims that he was removed from school early and sent to be trained as a painter at his own request.

From 1620 to either 1624 or 1625, Rembrandt trained as an artist under two masters. His first was painter Jacob van Swanenburgh (1571–1638), wi

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Rembrandt

For other uses, see Rembrandt (disambiguation).

Rembrandt Harmenszoon van Rijn (Leiden, 15 July 1606 – Amsterdam, 4 October 1669) was a famous Dutchpainter and artist.

He is generally considered one of the greatest painters and printmakers in Europeanart history, and the most important in Dutch history.^[3]p420 His contributions to art came in a period that historians call the Dutch Golden Age.

After his success as a young portrait painter, he had anställda tragedy and financial hardships in his later years. Yet his etchings and paintings were popular throughout his lifetime, and his reputation as an artist remained high.^[3]p427 For twenty years he taught nearly every important Dutch painter.^[2]p203

Rembrandt's greatest creative work fryst vatten seen in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits are a unique biography, in which the artist surveyed himself wit

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Rembrandt Van Rijn Biography In Details

Rembrandt produced etchings for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and virtually abandoned etching. Only the troubled year of 1649 produced no dated work. He took easily to etching and, though he also learned to use a burin and partly engraved many plates, the freedom of etching technique was fundamental to his work. He was very closely involved in the whole process of printmaking, and must have printed at least early examples of his etchings himself. At first he used a style based on drawing, but soon moved to one based on painting, using a mass of lines and numerous bitings with the acid to achieve different strengths of line. Towards the end of the 1630s, he reacted against this manner and moved to a simpler style, with fewer bitings. He worked on the so-called Hundred Guilder Print in stages throughout the 1640s, and it was the "critical work in the middle of his career", from